Hello Dolly! Broadway

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Hello Dolly Broadway – Review

Hello, Dolly! hit stages in 1964 and embarked on a runaway train of successes. Winning a record ten Tony Awards and holding the Best Musical spot for a record 37 years, Hello, Dolly! is adored by critics and audiences alike. The show has enjoyed three successful Broadway revivals, including this 2017 run with Bette Midler at the helm. This time around the musical is produced by Scott Rudin, another award-winning big name, so it promises to be an exciting spectacle. The antics of blushing widow Dolly Levi have charmed audiences across the intervening 50 years. Long may her reign continue!

This Broadway classic follows Dolly, a matchmaking widow who lives life to the fullest. Dolly decides to restart her engine as she enters her middle years and sets her sights on a half-millionaire. This is Horace Vandergelder, the stern proprietor of a hay and feet store. Dolly is a lovable character and her antics are charming, as is the brazen love story at the musical’s center. Hello, Dolly! is as engaging today as it was in 1964 and while the circumstances of the story has aged, its entertainment factor hasn’t.

Midler is a colossal musical theater star and her return to Broadway is much anticipated. Dolly Levi is, by all accounts, a role that Midler lends her charm, enthusiasm, and huge personality to with ease. Hello, Dolly! is a real Americana tale that is perfectly suited to the Broadway stage. Indeed, it has been successful in various productions on stage and screen, and for good reason. The upbeat musical and love and common sense is an American musical theater classic and a must-see for any good Broadway fan.

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Hello, Dolly! Broadway NYC

Theater: Shubert Theatre
Duration: TBA
Starring: Bette Midler, David Hyde Pierce, Gavin Creel

Hello Dolly Broadway – Act I

As the 19th becomes the 20th century, all of New York City is excited because widowed but brassy Dolly Gallagher Levi is in town (“Call On Dolly”). Dolly makes a living through what she calls “meddling” – matchmaking and numerous sidelines, including dance instruction and mandolin lessons (“I Put My Hand In”). She is currently seeking a wife for grumpy Horace Vandergelder, the well-known half-a-millionaire, but it becomes clear that Dolly intends to marry Horace herself. Ambrose Kemper, a young artist, wants to marry Horace’s weepy niece Ermengarde, but Horace opposes this because Ambrose’s vocation does not guarantee a steady living.

Ambrose enlists Dolly’s help, and they travel to Yonkers, New York to visit Horace, who is a prominent citizen there and owns Vandergelder’s Hay and Feed.

Horace explains to his two clerks, Cornelius Hackl and Barnaby Tucker, that he is going to get married because “It Takes a Woman” to cheerfully do all the household chores. He plans to travel with Dolly to New York City to march in the Fourteenth Street Association Parade and propose to the widow Irene Molloy, who owns a hat shop there. Dolly arrives in Yonkers and “accidentally” mentions that Irene’s first husband might not have died of natural causes, and also mentions that she knows an heiress, Ernestina Money, who may be interested in Horace. Horace leaves for New York and leaves Cornelius and Barnaby to run the store.

Cornelius decides that he and Barnaby need to get out of Yonkers. They’ll go to New York, have a good meal, spend all their money, see the stuffed whale in Barnum’s museum, almost get arrested, and each kiss a girl! They blow up some tomato cans to create a terrible stench and a good alibi to close the store. Dolly mentions that she knows two ladies in New York they should call on: Irene Molloy and her shop assistant, Minnie Fay. She tells Ermengarde and Ambrose that she’ll enter them in the polka competition at the upscale Harmonia Gardens Restaurant in New York City so Ambrose can demonstrate his ability to be a breadwinner to Horace. Cornelius, Barnaby, Ambrose, Ermengarde and Dolly take the train to New York (“Put On Your Sunday Clothes”).

Irene and Minnie open their hat shop for the afternoon. Irene wants a husband, but does not love Horace Vandergelder. She declares that she will wear an elaborate hat to impress a gentleman (“Ribbons Down My Back”). Cornelius and Barnaby arrive at the shop and pretend to be rich. Horace and Dolly arrive at the shop, and Cornelius and Barnaby hide from him. Irene inadvertently mentions that she knows Cornelius Hackl, and Dolly tells her and Horace that even though Cornelius is Horace’s clerk by day, he’s a New York playboy by night; he’s one of the Hackls. Minnie screams when she finds Cornelius hiding in the armoire. Horace is about to open the armoire himself, but Dolly, Irene and Minnie distract him with patriotic sentiments related to subjects like Betsy Ross and The Battle of the Alamo shown in the famous lyrics “Alamo remember the Alamo!” (“Motherhood March”). Cornelius sneezes, and Horace storms out, realizing there are men hiding in the shop, but not knowing they are his clerks.

Dolly arranges for Cornelius and Barnaby, who are still pretending to be rich, to take the ladies out to dinner to the Harmonia Gardens restaurant to make up for their humiliation. She teaches Cornelius and Barnaby how to dance since they always have dancing at such establishments (“Dancing”). Soon, Cornelius, Irene, Barnaby, and Minnie are happily dancing. They go to watch the great 14th Street Association Parade together. Alone, Dolly decides to put her dear departed husband Ephram behind her and to move on with life “Before the Parade Passes By”. She asks Ephram’s permission to marry Horace, requesting a sign from him. Dolly catches up with the annoyed Vandergelder, who has missed the whole parade, and she convinces him to give her matchmaking one more chance. She tells him that Ernestina Money would be perfect for him and asks him to meet her at the swanky Harmonia Gardens that evening.

Hello Dolly Broadway – Act II

Cornelius is determined to get a kiss before the night is over, but Barnaby isn’t so sure. As the clerks have no money for a carriage, they tell the girls that walking to the restaurant shows that they’ve got “Elegance”. At the Harmonia Gardens Restaurant, Rudolph, the head waiter, prepares his service crew for Dolly Levi’s return: their usual lightning service, he tells them, must be “twice as lightning” (“The Waiters’ Gallop”). Horace arrives with his date, but she proves neither as rich nor as elegant as Dolly had implied; furthermore she is soon bored by Horace and leaves, as Dolly had planned she would.

Cornelius, Barnaby, and their dates arrive, unaware that Horace is also dining at the restaurant. Irene and Minnie, inspired by the restaurant’s opulence, order the menu’s most expensive items. Cornelius and Barnaby grow increasingly anxious as they discover they have little more than a dollar left. Dolly makes her triumphant return to the Harmonia Gardens and is greeted in style by the staff (“Hello, Dolly!”) She sits in the now-empty seat at Horace’s table and proceeds to eat a large, expensive dinner, telling the exasperated Horace that no matter what he says, she will not marry him. Barnaby and Horace hail waiters at the same time, and in the ensuing confusion each drops his wallet and inadvertently picks up the other’s. Barnaby is delighted that he can now pay the restaurant bill, while Horace finds only a little spare change. Barnaby and Cornelius realize that the wallet must belong to Horace. Cornelius, Irene, Barnaby and Minnie try to sneak out during “The Polka Contest”, but Horace recognizes them and spots Ermengarde and Ambrose as well. The ensuing free-for-all culminates in a trip to night court.

Cornelius and Barnaby confess that they have no money and have never been to New York before. Cornelius declares that even if he has to dig ditches the rest of his life, he’ll never forget the day because he had met Irene. Cornelius, Barnaby, and Ambrose then each profess their love for their companion (“It Only Takes A Moment”). Dolly convinces the judge that their only crime was being in love. The judge finds everyone innocent and cleared of all charges, but Horace is declared guilty and forced to pay damages. Dolly mentions marriage again, and Horace declares that he wouldn’t marry her if she were the last woman in the world. Dolly angrily bids him “So Long, Dearie”, telling him that while he’s bored and lonely, she’ll be living the high life.

The next morning, back at the hay and feed store, Cornelius and Irene, Barnaby and Minnie, and Ambrose and Ermengarde each set out on new life’s paths. A chastened Horace Vandergelder finally admits that he needs Dolly in his life, but Dolly is unsure about the marriage until her late husband sends her a sign. Vandergelder spontaneously repeats a saying of Ephram’s: “Money is like manure. It’s not worth a thing unless it’s spread about, encouraging young things to grow.” Horace tells Dolly life would be dull without her, and she promises in return that she’ll “never go away again” (“Hello, Dolly” (reprise)).

Hello Dolly Musical – Act I

Prologue (“Hello, Dolly!”) – Orchestra
Call On Dolly – Ensemble
I Put My Hand In — Dolly
It Takes A Woman — Horace, Cornelius, Barnaby and the Men
It Takes A Woman (Reprise) – Horace
World, Take Me Back – Dolly*
Put On Your Sunday Clothes — Cornelius, Barnaby, Dolly, Ambrose, Ermengarde, and Ensemble
Ribbons Down My Back — Irene
Ribbons Down My Back (Reprise) – Irene
Motherhood March — Dolly, Irene, Minnie, and Horace
Dancing — Dolly, Cornelius, Barnaby, Irene, Minnie, and Dancers
Love, Look In My Window – Dolly*
Before the Parade Passes By — Dolly and the Company
Finale Act I: Before The Parade Passes By – Dolly

Hello Dolly Musical – Act II

Entr’acte – Orchestra
Elegance — Cornelius, Barnaby, Irene, Minnie
The Waiters’ Gallop — Rudolph and the Waiters
Hello, Dolly! — Dolly, Rudolph, Waiters, Cooks
The Waiters’ Gallop (Reprise) – Rudolph and Waiters
The Polka Contest — Orchestra**
It Only Takes a Moment — Cornelius and Irene, Prisoners and Policeman
So Long, Dearie — Dolly
Finale Act II: Hello, Dolly! / Dancing / It Only Takes A Moment / Put On Your Sunday Clothes / Hello, Dolly! — The Company

Hello Dolly – Original Broadway production

The musical, directed and choreographed by Gower Champion and produced by David Merrick, opened on January 16, 1964, at the St. James Theatre and closed on December 27, 1970, after 2,844 performances. Carol Channing starred as Dolly, with a supporting cast that included David Burns as Horace, Charles Nelson Reilly as Cornelius, Eileen Brennan as Irene, Jerry Dodge as Barnaby, Sondra Lee as Minnie Fay, Alice Playten as Ermengarde, and Igors Gavon as Ambrose. Although facing competition from Funny Girl with Barbra Streisand, Hello, Dolly! swept the Tony Awards that year, winning awards in ten categories (out of eleven nominations) that tied the musical with the previous record keeper South Pacific, a record that remained unbroken for 37 years until The Producers won twelve Tonys in 2001.

Two “Dollys”, Pearl Bailey and Carol Channing, in a 1973 television special, One More Time.
After Channing left the show, Merrick employed a string of prominent actresses to play Dolly, including Ginger Rogers, Martha Raye, Betty Grable, Pearl Bailey (in an all-black version with Cab Calloway, Mabel King, Clifton Davis, Ernestine Jackson and a young Morgan Freeman), Phyllis Diller, and Ethel Merman after having turned down the lead at the show’s inception. Two songs cut prior to the opening — typical Mermanesque belt style songs “World, Take Me Back” and “Love, Look in My Window” — were restored for her run. Thelma Carpenter played Dolly at all matinees during the Pearl Bailey production and subbed more than a hundred times, at one point playing all performances for seven straight weeks. Bibi Osterwald was the standby for Dolly in the original Broadway production, subbing for all the stars, including Bailey, despite the fact that Osterwald was a blue-eyed blonde. Bailey received a Special Tony Award in 1968.

The show received rave reviews, with “praise for Carol Channing and particularly Gower Champion.” The original production became the longest-running musical (and third longest-running show) in Broadway history up to that time, surpassing My Fair Lady and then being surpassed in turn by Fiddler on the Roof. The Broadway production of Hello Dolly grossed $27 million. Hello, Dolly! and Fiddler remained the longest-running Broadway record holders for nearly ten years until Grease surpassed them.[1]

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