Jack O’Brien’s epic production of Puccini’s triple bill features first-class casting: tenor Marcelo Álvarez and soprano Amber Wagner are the illicit lovers of Il Tabarro; soprano Kristine Opolais sings the shattering title role of Suor Angelica; and the ageless Plácido Domingo takes an unusual comedic turn in the baritone title role of Gianni Schicchi. The performances mark the centennial of the work’s world premiere at the Met. Bertrand de Billy conducts.
Production a gift of Karen and Kevin Kennedy
Additional funding from the Gramma Fisher Foundation, Marshaltown, Iowa, The Annenberg Foundation, Hermione Foundation, Mr. and Mrs. William R. Miller, and M. Beverly and Robert G. Bartner
World Premiere: Metropolitan Opera, New York, 1918. Puccini’s longest and most ambitious evening of theater, Il Trittico is a triptych of one-act operas that together present a unique overview of the human experience. Taking a cue from Dante’s Divine Comedy and its three-part journey from desperation to light, Il Trittico offers a modern glimpse at ordinary people striving for happiness. Shortly after the work’s world premiere at the Met, opera companies began producing the individual operas in combination with short works by other composers, but the full evening as Puccini intended it is a profound and refreshing experience from one of opera’s most popular composers.
Valery Gergiev.